Doctor Strange in the Multiverse of Madness shows Sam Raimi’s mastery of both superhero and horror genres with infinite possibilities and mind-bending visuals that question the nature of reality itself.
Morbius is exactly as disappointing as expected, proving Sony does not care about quality control so long as it sets up its own convoluted cinematic universe.
The opening episodes of HALO set the stage for a vastly different interpretation of Master Chief’s adventures, which might make for passable sci-fi TV but not satisfactory for longtime fans of the games.
Assassin’s Creed Valhalla: Dawn of Ragnarok includes new abilities, activities and a large map that will satisfy fans who want more of Valhalla, but if you’re looking for something significantly new or innovative then you may be disappointed.
David Fincher’s The Killer is a snappy and sleek revenge thriller that doesn’t boast much emotional depth on the surface, but on a technical level is a viewing experience that’s as satisfying as they come featuring a great performance from Michael Fassbender.
Marvel’s Spider-Man 2 is a sincere, if overly familiar, take on Peter Parker & Miles Morales’ collaboration as Spider-Men - a worthy follow-up combining Insomniac Games’ mastery of in-game traversal and storytelling to deliver a superhero spectacle of the highest order.